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The melodic line of the introduction only comes to a close in the opening phrase of the smiling allegro theme in the violins (with echoes in horns and bassoons), a calm pastoral scene following the tension of the preceding passage. Mozart Masonic Funeral Music, K. 477 Mozart Symphony No. WOLFGANG AMADÈ MOZART (1756-1791)Ballet Music from Idomeneo, Rè di Creta, K.366. The Three Bs / Symphonic Surprises / Strauss and His Idol. Featuring: William Boughton, conductor Tai Murray, Violin. festa italiana! In order to accomplish this aim, Mozart proposed to his librettist, a Salzburg cleric named Abbé Giambattista Varesco, that the story be cast more in the French manner, with ensembles and choruses to vary the texture. Mozart completed his final three symphonies — No. reif conducts tchaikovsky & mozart July 5, 2020 ... K. 165 (1773) Wolfgang Amadeus Mozart (1756-1791) On October 24, 1772, Mozart and. The principal theme, beginning with a group of scurrying sixteenth‑notes followed by a hiccup, produces a series of motives that carry the bulk of the discourse. Program: MOZART “Paris” Symphony No. This was all the more easily accomplished in that the libretto was derived from that of an earlier French opera, Idomenée, whose libretto was written by Antoine Danchet for Campra in 1712. [a] [3], The work was performed again at the Concert Spirituel on 15 August, this time with a new second movement, an Andante replacing the original Andantino in 6/8 (the latter, according to Deutsch, "had failed to please". 31 PROKOFIEV Violin Concerto No. We are privileged to continue publishing his program notes. It is not surprising that he felt unable to do anything with such a topic; his creative inertia took the form of a variety of activities to help him avoid composing: revising earlier works, proofreading scores, and renewing his study of English in the hopes of eventually being able to read his favorite English authors, Dickens, Thackeray, and Shakespeare. Years later he recalled that when Mallarmé heard the music for the first time (apparently the composer’s own performance at the piano in his apartment), he commented, “I was not expecting anything of this kind! His first letter to Puchberg referred to “concerts in the Casino,” from which he hoped to obtain subscription money in order to repay his debts. It was Mozart's first symphony to use clarinets. Michael Steinberg, the San Francisco Symphony’s program annotator from 1979 to 1999 and a contributing writer to our program book until his death in 2009, was one of the nation’s pre-eminent writers on music. 31 in D major, K. 297/300a, better known as the Paris Symphony, is one of the most famous symphonies by Wolfgang Amadeus Mozart. It has vigorous, stirring tuttis, with a lively violin line and an active line for the basses, lending the music extra animation. PROGRAM: Bach – Orchestral Suite No. The score calls for two oboes, two bassoons, four horns, and strings. Mozart seems to have been the sort of openhanded type who could never stop spending money faster than he earned it, and when the Viennese public found other novelties for amusement, Mozart’s star began to fall. They are all either educational pieces, which could serve students well, or small and easy compositions that might be expected to have a good sale when published. The careful bridging of sections, so that nothing ever quite comes to a full close without suggesting continuation, effectively blurs what is, after all, a fairly straightforward ABA form. 41 in C Major, K. 551, “Jupiter” (1788) 29 minutes Flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. As of 1780 Mozart had not produced a full‑scale opera for five years (when he was still in his teens). Died December 5, 1791, Vienna, Austria. The composer noted on the score that he preferred to have as large an ensemble of orchestral strings as possible for performances of the work. 99 was composed in early 1794 prior to Haydn's arrival in London. [1], The work was composed in 1778 during Mozart's unsuccessful job-hunting sojourn in Paris. This wonderful ballet music, symbolizing the harmonious resolution of the dramatic situation, shows us a Mozart reveling in the quality of the finest orchestra he had yet had at his disposal. "His mother, who had accompanied him on the trip, died 3 July. ), specifying that it be a serious opera in Italian. The dates of the first performances are unknown. Tickets for this event will be available for purchase at Woolsey Hall beginning at 6:30pm. Debussy’s success in obtaining this fluid, pastel effect can be measured by the fact that musicians still argue about where the various sections begin and end. Mozart thought he could enrich and revivify a form that had enjoyed a long and successful popularity but that was becoming stale and tradition‑ bound. This music prolongs the emotion of my poem, and sets its scene more vividly than color.” The first performance of the Prelude made Debussy famous overnight; the striking character of this music, which everyone experienced as something quite new, established his personality even in the eyes of those critics who expressed a wish for “an art more neat, more robust, more masculine.”. But as it was, most of his remaining operas were in the genres of the German Singspiel or the Italian opera buffa, both of which had quite different traditions and requirements from the opera seria. Program Notes: By Lawrence Budmen Wolfgang Amadeus Mozart (1756-1791) Symphony No.35 in D Major, K.385 (“Haffner”) Siegmund Haffner (a member of a prominent Salzburg mercantile family) commissioned Mozart to write a serenade for his sister’s wedding in 1776. On June 18 it was played in public in the same city by the Concert Spirituel. But it is hardly likely that Mozart would have composed three whole symphonies at a time when he was in desperate financial straits if he didn’t have some hope of using them in a practical way to support his family. WOLFGANG AMADÈ MOZART (1756-1791)Symphony No. Mozart and Friends Program Notes. [5] The work was published in Paris by Sieber and announced for sale 20 February 1779. The hearty minuet provides a strong contrast to the delicacies of the Andante; its Trio features a clarinet solo with little echoes from the flute. This artist, who from the tenderest age made a name for himself among harpsichord players, may today be ranked among the most able composers. Having been told that his work would be of no interest as a theatrical piece, he put it aside for a decade.

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